There’s an alternate loupe-style viewfinder ( LVF-11) that goes over the LCD screen and provides some magnification of the rear LCD along with shading, but it radically changes the compact nature of the camera (it is more than double the natural depth of the camera). This isn’t really an action camera, though, so it is probably sufficient. The EVF-11 can be adjusted up or down for different viewing angles, and sports a fairly good 3.68 million dot resolution and 0.83x magnification, though the refresh rate of 60fps is only so-so. Sigma’s focus recently seems to be on addressing the secondary market of those who want good optical and build quality but want smaller, more compact lenses to pair with smaller cameras like the Sony a7C, the Sigma FP or FP-L, and the Leica SL2-S. Certain people love Sigma’s large aperture ART series lenses and their highly corrected optical performance, but others find them unnecessarily large and heavy. These lenses addressed the reality that most of Sigma’s recent lenses have largely been well, large, and as such were poor pairings for compact cameras. We’ve also seen Sigma dive into the compact prime market in the past year with the i-Series (24mm F3.5, 35mm F2, 45mm F2.8, and 65mm F2 lenses, all of which I’ve reviewed and you can find in this playlist). Sigma’s most recent release was the compact wide aperture standard zoom – the Sigma 28-70mm F2.8 DG DN ( my review here), a lens that makes a lot of sense on a camera like the FP-L. This also helps explain Sigma’s recent fixation with developing small, light lenses that are still high performing (this has previously been Sigma’s strategy at all). That kind of resolution allows you to deeply crop an image like this: 2021 brings the second camera in the FP line-up, the Sigma FP-L, the world’s most compact high resolution full frame camera with a massive 61 megapixels of resolution. A fringe benefit is that the FP was immediately compatible with a wide range of existing Leica L-mount lenses and Sigma didn’t have to build their own full catalog of lenses. Clearly some partnership with Leica had been forged, and by building their new camera around the Leica L-mount, it allowed Sigma to not only leverage their new lens designs on two different platforms but also allowed them to produce lenses “for” their new camera(s) in a more popular mount that maximized their investment. It should probably come as no surprise that in the latter part of 2019 Sigma had started to design a new lineup of DN lenses designed specifically for mirrorless and coming in both the very popular Sony FE (full frame e-mount) along with the Leica L mount. In 2020 Sigma released the Sigma FP, a 24MP compact full frame mirrorless built around a Leica L-mount. They frequently had unique shapes well outside the mainstream of camera design. Many of those were built around Sigma’s own SA mount or with a fixed lens and tended to be crop sensor cameras (APS-C or APS-H). It's one of the few L-Mount lenses that has IS built in.Most of us know Sigma as a lensmaker and nothing more, but Sigma has actually been developing somewhat quirky cameras for some time. The reach is unbeatable and this particular lens has image stabilization, which is hugely helpful when filming with a camera with no IBIS like the FP. You can also go a bit more intense like I have and run a medium format Mamiya Sekor C 80mm f/1.9 lens on it using a focal reducer (this is The Dark Knight lens and was used to film The Dark Knight Rises).Ī more modern option is the Lumix S 24-105 f/4, which I highly recommend for the FP if zoom lenses are more your thing. One of my favorites is the Voigtlander 40mm f/1.4 M Mount, which is really compact and fits the small build of the FP well. The FP also works incredibly well with adapted vintage lenses. The new Sigma 24mm I-Series f/3.5 for example is affordable, tiny, and a perfect fit for the small build of the FP. Lenses play a role in that, and what's nice about the L-Mount is there are a lot of options. Other than that you'll just need to learn how to use the camera to maximize it to get the best results. Get a Samsung T5 SSD and you unlock UHD 12-bit RAW, which is a mandatory requirement to get the quality of footage you are after. I film all of my videos using the Sigma FP and the Sony FX3.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |